January
7, 2005
The
Panasonic Ag-HVX200 camera is a multi-format, multi-frame rate camera. HD can
be recorded to P2 PCMCIA memory cards while the SD DV format can be recorded to
P2 as well as to the mini DV tape format.
Because
the camera can record to a total of 21 different formats, this paper is
intended to show which formats and capture methods are supported with Avid
Xpress Pro, Avid Media Composer Adrenaline, and Avid Media Composer Adrenaline
HD.
This
document will cover using the camera or the P2 card workflow as a means to get
footage into the NLE systems or capture directly from material recorded to tape
via the FireWire connection.
The table
below describes the different formats. Formats in bold can record to both tape and the P2 card, non-bolded formats
record to P2 only. There is no specific camera template for the HVX200 as a
playback device over FireWire in Avid products as of v.2.2.1. Please use the
DVX100 template. The user can also take the tapes to a supported playback
device for capture over FireWire.
|
FORMAT |
DESCRIPTION |
|
480i/24pA @ DV25 |
23.976
frame progressive sources stored as advanced pulldown within a 59.94 standard
definition NTSC field based signal |
|
480i/24P @ DV25 |
23.976
frame progressive sources stored as normal pulldown within a 59.94 standard
definition NTSC field based signal |
|
480i/30P @ DV25 |
29.97
frame progressive sources stored within a 59.94 standard definition NTSC
field based signal. |
|
480i/60 @ DV25 |
59.94
field based sources stored within a 59.94 standard definition NTSC field
based signal |
|
480i/24pA @ DVCPRO (25) |
23.976
frame progressive sources stored as advanced pulldown within a 59.94 standard
definition NTSC field based signal |
|
480i/24P @ DVCPRO (25) |
23.976
frame progressive sources stored as normal pulldown within a 59.94 standard
definition NTSC field based signal |
|
480i/30P @ DVCPRO (25) |
29.97
frame progressive sources stored within a 59.94 standard definition NTSC
field based signal. |
|
480i/60 @ DVCPRO (25) |
59.94
field based sources stored within a 59.94 standard definition NTSC field
based signal |
|
480i/24pA @ DVCPRO50 |
23.976
frame progressive sources stored as advanced pulldown within a 59.94 standard
definition NTSC field based signal |
|
480i/24P @ DVCPRO50 |
23.976
frame progressive sources stored as normal pulldown within a 59.94 standard
definition NTSC field based signal |
|
480i/30P @ DVCPRO50 |
29.97
frame progressive sources stored within a 59.94 standard definition NTSC
field based signal. |
|
480i/60 @ DVCPRO50 |
59.94
field based sources stored within a 59.94 standard definition NTSC field
based signal |
|
720P/24PN |
23.976
frame progressive sources stored natively as 23.976 as a file on disk in the
HD720P format |
|
720P/30PN |
29.97
frame progressive sources stored natively as 29.97 as a file on disk in the
HD720P format |
|
720P/24P |
23.976
frame progressive sources stored natively as 23.976 within the 720p/59.94
frames stored as a file on disk in the HD720P format |
|
720P/30P |
29.97
frame progressive sources stored natively as 59.94 frames as a file on disk
in the HD720P format |
|
720P/60P |
59.94
frame progressive sources stored natively as 59.94 frames as a file on disk
in the HD720P format |
|
1080i/24P |
23.976
frame progressive sources stored as normal pulldown within a 59.94 high
definition 1080i field based signal |
|
1080i/24PA |
23.976
frame progressive sources stored as advanced pulldown within a 59.94 high
definition 1080i field based signal |
|
1080i/30P |
29.97
frame progressive sources stored as 29.97 frames within a 59.94 high
definition 1080i field based signal |
|
1080i/60 |
59.94
interlaced frame sources stored as 59.94 high definition 1080i field based
signal |
|
TABLE LEGEND |
|
|
Y |
Yes.
Supported in the native motion recorded frame rate |
|
Y(1,2,3,4.5) |
Yes,
but not supported in the native motion recorded frame rate |
|
N |
No.
It is not supported |
|
(blank) |
Not
Applicable. HVX200 does not support this configuration |
|
TAPE |
Captured
from the tape over the FireWire connection on camera |
|
P2 |
Played
from card or copied to Avid MediaFiles\MXF\1 directory |
|
HVX-200 |
AVID XPRESS PRO 5.2.1 WINDOWS XP AVID MEDIA COMPOSER ADRENALINE 2.2.1 WINDOWS XP |
|||||||
|
PROJECT FRAME RATE |
||||||||
|
23.976p |
29.97i |
29.97p |
59.94p |
|||||
|
FORMAT |
TAPE |
P2 |
TAPE |
P2 |
TAPE |
P2 |
TAPE |
P2 |
|
480i/24pA @ DV25 |
Y |
N |
Y3 |
Y3 |
|
|
|
|
|
480i/24P @ DV25 |
Y |
N |
Y3 |
Y3 |
|
|
|
|
|
480i/30P @ DV25 |
Y1 |
N |
Y2 |
N |
N |
N |
|
|
|
480i/60 @ DV25 |
|
|
Y |
Y |
|
|
|
|
|
480i/24pA @ DVCPRO
(25) |
|
N |
|
Y3 |
|
|
|
|
|
480i/24P @ DVCPRO
(25) |
|
N |
|
Y3 |
|
|
|
|
|
480i/30P @ DVCPRO (25) |
|
N |
|
N |
N |
N |
|
|
|
480i/60 @ DVCPRO
(25) |
|
|
|
Y |
|
|
|
|
|
480i/24pA @
DVCPRO50 |
|
N |
|
Y3 |
|
|
|
|
|
480i/24P @ DVCPRO50 |
|
N |
|
Y3 |
|
|
|
|
|
480i/30P @ DVCPRO50 |
|
N |
|
N |
N |
N |
|
|
|
480i/60 @ DVCPRO50 |
|
|
|
Y |
||||